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Instagram Image by artinterface (@artinterface_aboriginal_art) with caption : "The 2018 Wynne Prize for landscape painting or figurative sculpture saw an  spectacular array of Indigenous artists amon" at Art Gallery of New South Wales - 1825073352580881530

The 2018 Wynne Prize for landscape painting or figurative sculpture saw an spectacular array of Indigenous artists among the finalists and Yukultji Napangardi taking out the highest accolade. Congratulations to all of the finalists ! Currently showing at the Art Gallery of New South Wales through to the 9th of September. #australianindigenousart

image by artinterface (@artinterface_aboriginal_art) with caption : "The 2018 Wynne Prize for landscape painting or figurative sculpture saw an  spectacular array of Indigenous artists amon" - 1825073000527827190
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The 2018 Wynne Prize for landscape painting or figurative sculpture saw an spectacular array of Indigenous artists among the finalists and Yukultji Napangardi taking out the highest accolade. Congratulations to all of the finalists ! Currently showing at the Art Gallery of New South Wales through to the 9th of September. #australianindigenousart

Instagram Image by artinterface (@artinterface_aboriginal_art) with caption : "The 2018 Wynne Prize for landscape painting or figurative sculpture saw an  spectacular array of Indigenous artists amon" at Art Gallery of New South Wales - 1825072806281111939

The 2018 Wynne Prize for landscape painting or figurative sculpture saw an spectacular array of Indigenous artists among the finalists and Yukultji Napangardi taking out the highest accolade. Congratulations to all of the finalists ! Currently showing at the Art Gallery of New South Wales through to the 9th of September. #australianindigenousart

Harvey Art Projects (@harveyartprojects) Instagram Profile Photo harveyartprojects

Harvey Art Projects

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Yukultji Napangati. On view now in PINTUPI....it’s sublime. Email inquiries info@harveyartprojects.com or view online @harveyartprojects . . . Yukultji Napangati | Untitled 2012 | 152 x 122cm | Acrylic on Belgian linen | POA #australianindigenousart

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We’re celebrating this year’s NAIDOC Week theme ‘Because of her, we can!’ with each of the principal artists of our Ngaldjorlhbo exhibition in Paris. Last but certainly not least is Susan Marawarr, who is an accomplished bark painter, sculptor and print maker. Susan is known for her striking black and white palette. This combined with her use of deep perspective often creates graphic optical effects, movement and energy in her works. Pictured here are her mimih spirits, bark painting ‘Wak Wak’, textile ‘Ka-milemarnbun (Weaving Story), her lorrkon and etching ‘Fish’. . . #australianindigenousart

Instagram Image by artinterface (@artinterface_aboriginal_art) with caption : "Honouring great Indigenous women this NAIDOC week under the theme #becauseofherwecan || ARTIST JUDY WATSON NAPANGARDI ||" at South Yarra, Victoria, Australia - 1822152489321703820

Honouring great Indigenous women this NAIDOC week under the theme || ARTIST JUDY WATSON NAPANGARDI || Judy was born at Yarungkanji, Mt. Doreen Station, at the time when many Warlpiri and other Central and Western Desert Peoples were living a traditional nomadic life. With her family Judy made many trips on foot to her country and lived for long periods at Mina Mina and Yingipurlangu, her ancestral country on the border of the Tanami and Gibson Deserts. These places are rich in bush tucker such as wanakiji, bush plums, yakajirri, bush tomatoes, and wardapi, sand goanna. Judy was taught painting by her elder sister, Maggie Napangardi Watson. She painted alongside her at Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre in Yuendumu, for a number of years, developing her own unique style. Though a very tiny woman Judy had ten children, four of whom she outlived. She was a woman of incredible energy; this was transmitted to her work through her dynamic use of colour, and energetic “dragged dotting” style. She was at the forefront of a move towards more abstract rendering of Jukurrpa by Warlpiri artists; however her work retains strong kurruwarri, the details which tell of the sacredness of place and song in her culture. Text copyright and courtesy of Warlukurlangu Artists Aboriginal Corporation COLLECTIONS : National Gallery of Australia, Canberra Art Gallery of New South Wales Museum and Art Gallery of the Northern Territory Flinders University Art Museum South Australian Museum, Adelaide This work entitled ‘Women’s Ceremony’ is available for acquisition through our online gallery www.artinterface.net #australianindigenousart

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We’re celebrating this year’s NAIDOC Week theme ‘Because of her, we can!’ with each of the principal artists of our Ngaldjorlhbo exhibition in Paris. Today is Deborah Wurrkidj, who is a versatile artist who has readily adapted to new art forms while retaining her strong clan traditions. Deborah’s work is vibrant, tactile and intricate, evocative of the local natural environment as well as referencing her deep cultural knowledge. Deborah is world renowned for her bark paintings, lorrkon, and she is also a leading textile artist. Pictured here are her bark paintings ‘Buluwana at Dilebang’ and ‘Kun-madj (Dilly Bag)’ and lorrkon, her etching ‘Dunbuhman (Sanguine)’, mimih spirits, and textile ‘Manwak (Mumeka Blooms)’. . . #australianindigenousart

Instagram Image by Greer Adams (@greeradamsfineart) with caption : "Out and about @aboriginalpacificart. Quite smitten with this little guy 🦉❤️ by Marlene Rubuntja - Owl 1 @yarrenyty__arlt" at Aboriginal and Pacific - 1821515390631885686

Out and about @aboriginalpacificart. Quite smitten with this little guy 🦉❤️ by Marlene Rubuntja - Owl 1 @yarrenyty__arltere